16 718 безплатни аудиофайлове за "Midi Files Containing Pitch Bend Data"

833 cents scale step 15 (1). 565.45 cents. φ {\displaystyle \varphi }  6⁄8 φ {\displaystyle \varphi }

Dominant ninth chord on C.

Habanera rhythm.

833 cents scale step 7 (0). 833.09 cents. φ {\displaystyle \varphi }  2⁄ φ {\displaystyle \varphi }

833 cents scale step 12 (5). 230.41 cents. 1⁄6/ φ {\displaystyle \varphi }  4

I-IV-♭VII-IV chord progression. Barre chords on a MIDI acoustic guitar: C-F/C-B♭-F/C.

Midi-fil av folkemelodien Kjerringa med staven. A folktune from Norway

Compound duple drum pattern: divides two beats into three. Created by Hyacinth (talk) using Sibelius 5.

Northern Lights chord. Created by Hyacinth (talk) 16:19, 2 October 2010 using Sibelius 5.

833 cents scale step 1. 99.27 cents. φ {\displaystyle \varphi }  4⁄4 φ {\displaystyle \varphi }

Ausschnitt aus dem zweiten Satz von Griegs Klaviersonate

833 cents scale step 6. 733.82 cents. 1/ φ {\displaystyle \varphi } ⁄ φ {\displaystyle \varphi } /4

Adagio-Thema des ersten Satzes aus Beethovens Opus 109

Diatonic scale on C, staccato articulation.

Passage aus der sechsten Variation des dritten Satzes aus Beethovens Opus 109

Diatonic scale on C, legato articulation.

Vivace aus Beethovens op. 79 und Reduktion nach Alfred Rosenberg

833 cents scale step 4. 466.18 cents. φ {\displaystyle \varphi }  3⁄2 φ {\displaystyle \varphi }

Habanera rhythm (tresillo) and 3:2 polyrhythm alternating for comparison.

A few bars (30,32, etc.) from Schuberts song "Der Lindenbaum"

Augmented chord progression: V+65 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

An excerpt from the traditional Latin song "Adeste Fideles". Created by Hyacinth (talk) 22:50, 1 February 2012 (UTC) using Sibelius 5. See: :Image:Adeste Fideles sheet music sample.svg

An arpeggiated chord. Created by SreeBot (talk) using Sibelius 5. GFDL-self

Augmented chord progression: V+43 I63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Eight bar blues, guitar chords: I V7 IV7 IV7 V7-IV7 I V7.

Variation 1 aus dem dritten Satz von Beethovens Klaviersonate Opus 109

833 cents scale step 5. 597.32 cents. 1⁄3/ φ {\displaystyle \varphi }  3

Bach, Sinfonia in F minor BWV 795, mm. 1-3, composite rhythm.

Slendro vs whole tone scale on C

Berg violin concerto tone row

C6add9 chord.

Leitmotif of Siegfried form Act III of opera.

3:2 polyrhythm for comparison with the Habanera tresillo rhythm.

833 cents scale step 9 (2). 1068.86 cents. 3⁄ φ {\displaystyle \varphi }

Heavy metal gallop pattern on guitar power chords, with palm muting.

Polly-Wolly-Doodle

833 cents scale step 3. 366.91 cents. 1⁄ φ {\displaystyle \varphi } /2

Variation 3 des dritten Satzes aus Beethovens Klaviersonate Opus 109

First nine measures of the Grand Sonata in F minor, Opus 77 by Dussek

833 cents scale step 14 (0). 466.18 cents. φ {\displaystyle \varphi }  3⁄2 φ {\displaystyle \varphi }

Tone row of Webern's Variations for piano, op. 27.

Ausschnit (sul una corda) aus dem zweiten Satz von Beethovens Opus 109

Diatonic scale on C, tenuto articulation.

Ausschnitte aus Mozart Klaviersonate KV 332 (erster Satz)

833 cents scale step 13 (6). 366.91 cents. 1⁄ φ {\displaystyle \varphi } /2

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

Twelve bar blues in B, block chords. Created by Hyacinth (talk) 09:25, 17 December 2010 using Sibelius 5.